12.16.2011

critical conversation #3: 10 "mind-bombs" each

our third of five critical conversations was wednesday and was fantastic. everyone's research and work was outstanding and the conversations were all around great and gave us all a good boost of momentum to ride next semester.

the primary question which we all need to now focus on going forward is 'what's next?' our pieces have been set and its time to make some major moves.

the master of science in design research curriculum has certainly allowed the 10 project to grow faster than any of us could have expected. there is a steep learning curve which we all seem to have latched on to and the work is really beginning to move.

while there are many overlapping themes among the projects, each project seems to follow different and singular idea. this aspect is great because it allows us to relate to one another's projects, as well as help one another and build on each other's personalized and singular ideas.

our advisors (jason young and etienne turpin) have been unbelievably helpful thus far in helping us steer our work in a direction that is allowing us to maximize potential and begin to spatialize these sets of social, political, and economic bodies of research.













12.11.2011

decoy cities

http://www.deconcrete.org/2011/12/02/a-paris-made-to-be-destroyed/

kudos to jonathan lejune for finding/posting this to twitter.
plans consisting of sham railways and sham factories. drawings for a city's false identity and counterfeit personality.

diggin it.

12.10.2011

Digital/Manual: Crossings

the final drawing for Perry Kulper's Drawn Forth was digital/manual: crossings.
the project was a combination between digital work and manual work. not so much to represent something specific or have a clear-set agenda, but rather to gain a new tool set and way of working.



using my own digital files i put together a section of an undergraduate project, along with a collage of multiple photos, plans, and other digital images ghosted in the background.

for the manual, i wanted to really blur the definition of what constitutes manual. thus, much of the manual was hand drawn and scanned in. the spills, also from another past project, were actual spills of paint then placed into the background. the fence-like structures were hand-drawn and scanned in. the lines of flight above the building were a little more interesting in that they confuse the definition of digital/manual. for those, the section was printed up, transferred to drawing paper with acetone, the lines of flight then drawn on top of it, then scanned, and then superimposed onto the original digital scan, acetone transfer and all.

the final manual work was done with the placing of newspaper clippings to fit into the gaps of the lines of flight. while there was no specific reason for this since i was simply exploring new techniques, multiple reads were taken from the project which, while unintentional, was quite accurate.

the readings of this were that there was a theme of water and fishing in this drawing. having not presented it that way i found that interesting for multiple reasons. one was the fact that this base drawing of the section was a fishery project in sault ste marie, michigan. perhaps that led me to the placing of the underlying pattern of hand drawn fish skin onto the section, but the unintended reads were with the lines of flight and newspaper. the lines of flight reminding people of fishing line while the newspaper clippings reminded people of wrapping fish in a paper.

interesting takes on it. while it wasnt my intent, i suppose people will see what they want to see.
i enjoyed this project. it has always been fun for me personally going from manual to digital and back and forth again. definitely something i'll be incorporating in my future works.

im back...in the midst of the final push

been missing for a while. school taking a little more time than i expected.
ive got some documented work coming over the next few days/weeks.
T-4days till christmas break...
final push